David Jones (1895-1974) has been described as ‘the forgotten British Modernist’. But he was a genre all to himself, a modernist who loved Malory, a catholic who was fascinated by the Matter of Britain and the symbolism and liturgy of the mass. No one blurred the distinction between poetry and prose, or calls the distinction into account more thoroughly than he did.
'In Parenthesis' is probably unique, certainly my vote for the best book to come out of the first world war, but whether it’s prose, or poetry or poetic prose I don’t know and honestly don’t care.
The Hunt is taken from ‘The Sleeping Lord and Other Fragments’. Jones notes, at the end, that is part of an incomplete attempt based the Medieval Welsh tale Culhwch and Olwen…a significant part of which tells of the hunting of the great boar Twyrth by all the war bands of the Island led by Arthur.